Which Malibu surfer was a counterculture figure known for anti-establishment views in the 1950s and 1960s?

Which Malibu surfer was a counterculture figure known for anti-establishment views in the 1950s and 1960s?

• A. Greg Noll
• B. Miki Dora
• C. Tom Curren
• D. Kelly Slater

Answer: (B)

The idea being tested is recognizing a Malibu surfer who became a counterculture symbol in the 1950s–60s, known for anti-establishment attitudes. Miki Dora fits this best. He, nicknamed Da Cat, was a Malibu icon who challenged the commercial side of surfing and the way the sport was portrayed by the media. His rebellious stance, emphasis on surfing as personal expression over competition, and outspoken persona captured the era’s mood of questioning authority and norms, making him a defining counterculture figure of that time and place. Greg Noll is celebrated as a pioneering big-wave rider who pushed surfing to new extremes, but his legacy centers on fearlessness and innovation rather than the anti-establishment, countercultural stance. Tom Curren and Kelly Slater are famous for later eras of surfing, known for their competitive success and technical mastery, not for the 1950s–60s Malibu counterculture identity.

The idea being tested is recognizing a Malibu surfer who became a counterculture symbol in the 1950s–60s, known for anti-establishment attitudes. Miki Dora fits this best. He, nicknamed Da Cat, was a Malibu icon who challenged the commercial side of surfing and the way the sport was portrayed by the media. His rebellious stance, emphasis on surfing as personal expression over competition, and outspoken persona captured the era’s mood of questioning authority and norms, making him a defining counterculture figure of that time and place.

Greg Noll is celebrated as a pioneering big-wave rider who pushed surfing to new extremes, but his legacy centers on fearlessness and innovation rather than the anti-establishment, countercultural stance. Tom Curren and Kelly Slater are famous for later eras of surfing, known for their competitive success and technical mastery, not for the 1950s–60s Malibu counterculture identity.